Myth: A Meaning-Making Machine and Taming the World's Strangeness
In "Contemporary Mythology," Marcin Napiórkowski carries out a radical deconstruction of the common understanding of myth. Here, myth is neither an ancient literary genre nor a lie, but a fundamental structure of meaning—a kind of operating system for culture. The author presents a provocative thesis: a human being cannot survive even three seconds without meaning. Myth is the response to this hunger, serving as a tool for taming the strangeness and chaos of reality. It allows us to inhabit the world by transforming incomprehensible processes into familiar stories.
Effectiveness Over Truth and the Triad of Myth Analysis
Modern myth does not operate in categories of truth and falsehood; its currency is effectiveness. It acts as an essential companion to rationality, providing a language of values where science offers only dry data. Studying myth requires analysis on three levels: semantics (the archetypes triggered), syntax (the structure of the story), and pragmatics (the actions and institutions the myth legitimizes). Such a methodology allows us to understand the mechanics of narrative without resorting to fruitless polemics over facts, as myth belongs to an axiological order rather than a purely informational one.
Bricolage and Scandal: Rituals Renewing Community Boundaries
Mythical thinking is bricolage—tinkering with the symbolic scrap of reality, such as memes, slogans, or viral images. An example is scandals, which function as social rituals, allowing a community to renew its moral boundaries through the collective condemnation of "outsiders." Similarly, culinary myths (e.g., about kebabs made from carrion) protect against the fear of the "other" by transferring global anxieties onto the plate. Even the mundane act of collecting plastic bottle caps becomes a ritual of micro-salvation, imparting a sense of the sacred to objects plucked from the cycle of consumption and building a sense of a "pure" community of giving.
The Great Work and New Media: Digital Factories of Modern Mythology
New media are the architects of myth, imposing a binary rhythm of outrage and simplified heroic figures. In this environment, fake news becomes an effective vehicle for meaning, filling cognitive gaps in an uncertain world. The myth of "The Great Work" expresses a longing for a lost paradise, promising the union of earning a living and self-fulfillment in a world that has brutally separated labor from meaning. The modern homo mythologicus functions within a web of algorithms that do not eliminate myth but rather provide it with a new interface, colonizing our identity through the "selfie myth" and performative authenticity.
Homo Mythologicus: Why Debunking and Facts Lose to the Narrative
Traditional myth-busting often fails because it attacks facts while ignoring the deeper need for meaning that myth satisfies. Myth is like glasses—we do not look at them; rather, we see reality through them, which makes it nearly transparent. There is no culture without myth, just as there is no human without meaning. Homo mythologicus is not a relic of the past, but the most accurate description of humanity in the age of technology and algorithms. Myth is no longer just a story about gods; we are the myth, entangled in webs of meaning that we ourselves constantly weave to make the world bearable.
📄 Full analysis available in PDF